It is with this great sense of control and influence that Gerald continues to descend into darkness, as the power inherent to his position is abused. He wants to be reminded of his greatness and his ability to take life at will. It is fitting that Marlow has reverted to a state of madness here, in a landscape that is so closely associated with primal nature and the beginnings of time.
To the natives, he appears to be a god wielding the forces of nature. He found in her an infinite relief. The conclusion of the narrative depicts Gerald in all-consuming mania, fully intent on murdering Gudrun.
His violent nature, evidenced in the decapitated heads, leaves no hope of recovery. He saw them as he entered London in the train, he saw them at Dover.
From this, it appears that the wild and erotic nature inherent to the Congo has directly contributed to his decline. Rather, his distinction emerges as his madness manifests itself within the African wilderness.
Additionally, it is important to note that the native woman has not physically pushed Kurtz into madness. This is evidenced when the narrator describes Gerald holding Gudrun: He was breathing hoarsely too, like an animal that is suffering.
Subsequently, the reader is entirely unaware of whether Kurtz was mad before entering the jungle. Following a romantic relationship with Gudrun Brangwen, Gerald delves deeper into his own mental descent, which, like Kurtz, culminates in violence and death.
Initially, Gerald views his job in the coal mines as another exciting activity: There is no possibility of return, therefore, it is fitting that Kurtz dies soon after Marlow finds him This passage initially suggests that Gerald is healed by his sexual experience. Additionally, it is somewhat suggestive of his aversion, as she is no longer described in terms that indicate her physical beauty.
While Kurtz has financially struggled, Gerald has been fortunate. The native woman is not timid in any respect; rather, she commands authority.
This perception is heightened by sexual lust, culminating in his death.Heart Of Darkness Madness Vs Sanity. Staci Watson Mills AP English 6th April 17, Heart of Darkness vs.
Apocalypse Now Both the novel "Heart of Darkness" by Joseph Conrad and the movie "Apocalypse Now" are about one man's journey through Africa and Vietnam. A comparison and contrast can be made between the two. This theme is explored quite closely in the literature 'Heart of Darkness' by Joseph Conrad.
The aim of this paper will be to discuss the concepts of madness and insanity and how they are encountered in the above mentioned novel in an attempt to answer the above question.
A summary of Themes in Joseph Conrad's Heart of Darkness. Learn exactly what happened in this chapter, scene, or section of Heart of Darkness and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. What human faculties begin to break down?
Describe Marlow’s slow succumbing to madness. You could also argue that he doesn’t succumb to madness – whatever floats your boat. In Heart of Darkness, the human faculties which begin to break down are the ideas of self-assurance of sanity and self-respect.
Isolation and life in the wilderness cause Kurtz's madness; in other words, there is something inherently madness-inducing about the African interior. One of Conrad's main messages is that madness is not caused specifically by living in the wilderness, but that the seeds of madness—ambition, obsession, and greed—are always present.
― Joseph Conrad, Heart of Darkness. tags: work. likes. Like “Your strength is just an accident arising from the weakness of others.” ― Joseph Conrad, Heart of Darkness. likes. Like “No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence--that which makes its truth, its.Download